SICCATIVE PALE 75ML TALENS

Purpose: Reducing the drying time of oil colours
Composition: Metal compounds, white spirit

• Reduces the elasticity and durability of the paint film; therefore use very sparingly (add maximum 2%)
• Can be thinned with white spirit
• Flammable

Available in 75 ml.

STAND OIL 75ML TALENS

Purpose: For the artist to make his own (glazing) medium and as an ingredient for a paint formula
Composition: Linseed stand oil

• Greatly increases the gloss and the drying time
• Slightly yellowing (between poppy seed and linseed oil)
• Can be thinned with white spirit or turpentine
• Traditional glazing medium
• Not to be used in lower coats when mixed with paint

Available in 75 ml.

VARNISH GLOSS 75ML. TALENS

Purpose: Durable protection of an oil painting or acrylic painting (final varnish). Composition: Acrylic resin, white spirit, turpentine oil
• Apply when paint film has completely dried (with normal layer thickness for oil colour after approx. 1 year, for acrylic paint after 4 to 5 days)
• Dries in a few hours
• Does not yellow
• More flexible than Picture varnish gloss 002
• Gives less gloss than Picture varnish gloss 002
• Mixing with Acrylic varnish matt 115 reduces the degree of gloss
• Dry varnish coats can be removed with white spirit or turpentine
• Can be thinned with white spirit or turpentine, clean brushes with white spirit or turpentine
• Flammable (in spray can: extremely flammable)

Purified Linseed 250 ml.

Purpose: For the artist to make his own paint and painting medium
Composition: Linseed oil

• Increases the gloss and the drying time of the paint film
• Increases the risk of the paint film wrinkling
• Shows strong yellowing in dark conditions, which largely disappears in daylight
• Can be thinned with white spirit or turpentine

Available in 250 ml

Purified Linseed 75 ml.

Purpose: For the artist to make his own paint and painting medium
Composition: Linseed oil

• Increases the gloss and the drying time of the paint film
• Increases the risk of the paint film wrinkling
• Shows strong yellowing in dark conditions, which largely disappears in daylight
• Can be thinned with white spirit or turpentine

Available in 75 ml

Rectified Turpentine 250ml.

Composition: Portuguese gum turpentine (distillate from resinous balsam of the pine tree)

• Makes oil paint leaner (use in lower layers)
• Allows brush stroke to run
• Suitable for removing (dry) varnish coats
• Suitable for dissolving (natural) resins
• Also for thinning mediums and varnishes for oil colour
• Flammable

Available in 250 ml

Rectified Turpentine 75ml.

Purpose: Thinning oil colour and cleaning brushes and other art materials
Composition: Portuguese gum turpentine (distillate from resinous balsam of the pine tree)

• Makes oil paint leaner (use in lower layers)
• Allows brush stroke to run
• Suitable for removing (dry) varnish coats
• Suitable for dissolving (natural) resins
• Also for thinning mediums and varnishes for oil colour
• Flammable

Available in 75 ml

White Spirit 250 ml.

Purpose: Thinning oil colour and cleaning brushes and other artists' materials
Composition: Mineral oil distillate

• Very pure, 100% evaporation; disappears completely from the paint film
• Makes oil paint leaner (use in lower layers)
• Suitable for removing (dr y) varnish coats
• Suitable for dissolving synthetic resins
• Also for thinning mediums and varnishes for oil colour
• Flammable

Available in 250 ml

White Spirit 75 ml.

Purpose: Thinning oil colour and cleaning brushes and other artists' materials
Composition: Mineral oil distillate

• Very pure, 100% evaporation; disappears completely from the paint film
• Makes oil paint leaner (use in lower layers)
• Suitable for removing (dr y) varnish coats
• Suitable for dissolving synthetic resins
• Also for thinning mediums and varnishes for oil colour
• Flammable

Available in 75 ml

Painting Medium Quick-Drying 75 ml.

Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter
Composition: Vegetable oils, synthetic resins, white spirit, siccatives

• Increases the durability and elasticity of the paint film
• Makes the brush stroke run, depending on the amount added
• Increases gloss
• Does not yellow
• Can be thinned with white spirit or turpentine
• Flammable

Available in 75 ml,

Retouching Varnish 400 ml.

paintings not entirely dry
Composition: Synthetic resin, white spirit

• Apply sparingly
• Does not affect the further drying time of the paint film
• As temporary protective varnish do not apply until after 2-3 months
• Dries in a few hours
• Does not yellow
• Can be thinned with white spirit
• Clean brushes with white spirit
• Highly flammable (in spray can: extremely flammable)

Available in 75 ml, 250 ml, 1000 ml bottle and in 400 ml spray can.

Picture Varnish Matt 400 ml.

Purpose: Durable protection of an oil painting (final varnish)
Composition bottle: Synthetic resin, turpentine oil, waxes
Composition spray can: Synthetic resin, white spirit, silica

• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• When applying with a brush do so in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Varnish in bottle gives a satin gloss, varnish in spray can is matter
• The degree of gloss is increased when mixed with Picture varnish gloss 002
• Can be thinned with turpentine
• Clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with white spirit or turpentine
• If the contents become cloudy place bottle in warm water
• Flammable (in spray can: extremely flammable)

Available in 75 ml, 250 ml and 1000 ml bottle and In 400 ml spray can.

Picture Varnish Glossy 400 ml.

Purpose: Durable protection of an oil painting (final varnish)
Composition bottle: Synthetic resin, turpentine oil, white spirit
Composition spray can: Synthetic resin, white spirit

• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• Dries in a few hours
• Does not yellow
• Gives a high gloss
• The gloss can be decreased by mixing with Picture varnish matt 003
• Can be thinned with white spirit or turpentine
• Clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with white spirit or turpentine
• Flammable (in spray can: extremely flammable)

Available in 75 ml, 250 ml and 1000 ml bottle and In 400 ml spray can.

KUSAKABE LINSEED OIL 250ML.

KUSAKABE CRYSTAL VARNISH 250ML.

KUSAKABE CRYSTAL VARNISH 55ML.

KUSAKABE LINSEED OIL 55ML.

KUSAKABE NEO PAINTING OIL 250ML.

KUSAKABE NEO PAINTING OIL 55ML.

USAKABE ODORLESS BRUSH CLEAN150ml.

KUSAKABE RETOUCHER 250ML.

KUSAKABE STAND OIL 250ML.

KUSAKABE STAND OIL 55ML.

KUSAKABE ULTRA DRYING MEDIUM 100ML.

KUSAKABE ULTRA DRYING MEDIUM 45ML.

Oil Medium Zephyr Aroma 55ml.

KUSAKABE produced by the series of pigments do not smell, but the brushwork, color mixing and general oil paint is no different. Suitable for odor-sensitive users and female users of the studio. You will be surprise with color appearance and fine color texture.

AAC ACR. THICK. MED. 250ML.

Add a little bit to your paint and increase the viscosity, for brisk brush strokes and texture - without affecting the intensity and opacity of the paint
- Add in very small quantities
- Mixvery well with painting knife
- Reduce the gloss
- only use in combination with acrylic colors, not suitable for gluing materials
- Apply at temperatures above 10oC
- Do not freeze

AAC ACRYLIC BINDER 1000ML

Purpose: Making acrylic paint, durable gluing of various materials during collage techniques and reducing the absorption of very absorbent grounds (presizing).
Composition: Acrylic resin dispersion

Qualities:
• Dries quickly and produces an elastic, water- resistant, colorless and transparent film
• Alkali-resistant, suitable for walls
• Adheres on all grease-free and dust-free, somewhat absorbent grounds
• Can be painted over with acrylic paint and Amsterdam gesso
• Use at temperatures above 10° C
• Store frost-free
• Clean utensils with water

Available In 1000 ml

AAC CLEAR LACQUER 400ML

Purpose: Durable and scratch-resistant protective layer for the painted ground.
Composition: Nitrocellulose

Qualities:
• Does not yellow
• Protects against scratches and is resistant to wear
• Resistant to greasy hands
• Quick-drying and practically odourless
• Cannot be removed

Available in 400 ml spray can.

AAC GESSO BLACK 250ML

Purpose: Applying a universal preparatory layer on various absorbent grounds.
Composition: Acrylic resin dispersion, synthetic iron oxide

Qualities:
• Provides good adhesion for acrylic paint, oil paint and gouache, etc.
• Suitable for absorbent grounds that are free of dust and grease, such as artists’ canvas (linen, cotton, etc.), wood, plywood, hardboard, cardboard and paper
• Suitable as preparation for murals on (alkaline) grounds such as fresh concrete, stucco and bricks
• Very absorbent grounds must first be pre-sized with Amsterdam acrylic binder 005
• Can be mixed with Amsterdam gesso white 1001, Amsterdam gesso transparent 3000 and with acrylic paint
• Can be colored with acrylic paint
• Thinnable with water
• Waterproof when dry
• Use at temperatures above 10° C
• Store frost-free
• Clean utensils with water

Available in 250 ml.

AAC GESSO TRANSPARENT 250ML

Purpose: Applying a universal preparatory layer on various absorbent grounds.
Composition: Acrylic resin dispersion, transparent extender

Qualities:
• Provides good adhesion for acrylic paint, oil paint and gouache, etc.
• Suitable for absorbent grounds that are free of dust and grease, such as artists’ canvas (linen, cotton, etc.), wood, plywood, hardboard, cardboard and paper
• Suitable as preparation for murals on (alkaline) grounds such as fresh concrete, stucco and bricks
• Very absorbent grounds must first be pre-sized with Amsterdam acrylic binder 005
• Can be mixed with Amsterdam gesso white 1001, Amsterdam gesso black 3007
• Can be colored with acrylic paint
• Thinnable with water
• Waterproof when dry
• Use at temperatures above 10° C
• Store frost-free
• Clean utensils with water

Available in 250 ml.

AAC GLAZING MEDIUM GLOSS 250ML

Purpose: Increasing the flow, degree of gloss and transparency of the glazing layers in acrylic paint.
Composition: Acrylic resin dispersion

Qualities:
• Mixing with transparent colors for optimal glazing effect
• Milky white, but once dry colorless and transparent
• Reduces the drying time somewhat
• Can be thinned with water
• Increases the degree of gloss
• Waterproof when dry
• Use at temperatures above 10° C
• Store frost-free

Available in 75 ml and 250 ml.

AAC GLAZING MEDIUM GLOSS 75ML

Purpose: Increasing the flow, degree of gloss and transparency of the glazing layers in acrylic paint.
Composition: Acrylic resin dispersion

Qualities:
• Mixing with transparent colors for optimal glazing effect
• Milky white, but once dry colorless and transparent
• Reduces the drying time somewhat
• Can be thinned with water
• Increases the degree of gloss
• Waterproof when dry
• Use at temperatures above 10° C
• Store frost-free

Available in 75 ml and 250 ml.

AAC GLOW IN THE DARK MED.500ML

Purpose: Provides a glowing effect in the dark.
Composition: Acrylic resin dispersion, phosphorescent pigment

Qualities:
• To be applied preferably as the final layer on the work for optimal results
• Afterglow time greatly depends on the light source and time of exposure to the light
• Mixing with other colors will greatly reduce the glow effect
• Best applied on white white grounds
• Waterproof when dry
• Use at temperatures above 10° C
• Store frost-free
• Clean utensils with water

Available in 500 ml

AAC MODELING PASTE 250ML

Purpose: Making relief grounds.
Composition: Acrylic resin dispersion, thickening agents, titanium dioxide

Qualities:
• Can be painted over with oil or acrylic paint
• Dries in a few hours, depending on the layer thickness
• Can be mixed with acrylic paint, gel mediums and acrylic mediums
• Can be thinned with water
• Waterproof and non-yellowing
• Clean utensils with water
• Use at temperatures above 10° C
• Store frost-free

Available in 250 ml.

AAC PHOTO TRANSFER GEL 500ML

Purpose: Transferring photo prints onto a ground.
Composition: Acrylic resin dispersion

Qualities:
• Only suitable for laser printer and photocopies
• Prepare the paper on the print side with Amsterdam photo transfer gel, then press the print side on the ground and rub away any air from under the print
• Leave to dry for at least 24 hours
• When dry, remove the paper by carefully rubbing it using a brush and water or a moist cloth
• Can be painted over with acrylic paint
• For an optimal end result apply an acrylic medium or a varnish
• Waterproof when dry
• Use at temperatures above 10° C
• Store frost-free

Available in 500 ml.

AAC SLOW DRYING MEDIUM 250ML

Purpose: Delaying the drying of acrylic paint.
Composition: Acrylic resin dispersion, slowly evaporating polyhydric alcohol

Qualities:
• Increases the drying time of acrylic paint
• Can be mixed with acrylic paint in any ratio
• Can be thinned with water
• Increases, depending on the dosage, the transparency and the degree of gloss
• Can be varnished after at least one week of drying
• Use at temperatures above 10° C
• Store frost-free

Available in 75 ml and 250 ml.

AAC SLOW DRYING MEDIUM 75ML

Purpose: Delaying the drying of acrylic paint.
Composition: Acrylic resin dispersion, slowly evaporating polyhydric alcohol

Qualities:
• Increases the drying time of acrylic paint
• Can be mixed with acrylic paint in any ratio
• Can be thinned with water
• Increases, depending on the dosage, the transparency and the degree of gloss
• Can be varnished after at least one week of drying
• Use at temperatures above 10° C
• Store frost-free

Available in 75 ml and 250 ml.

ACC MODELING PASTE 1000ML

Purpose: Making relief grounds.
Composition: Acrylic resin dispersion, thickening agents, titanium dioxide

Qualities:
• Can be painted over with oil or acrylic paint
• Dries in a few hours, depending on the layer thickness
• Can be mixed with acrylic paint, gel mediums and acrylic mediums
• Can be thinned with water
• Waterproof and non-yellowing
• Clean utensils with water
• Use at temperatures above 10° C
• Store frost-free

Available in 1000 ml.

Acrylic Varnish Matt 1000ml.

Purpose: Durable protection of an oil painting (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil, matting agents (silicas)

Qualities:
• Apply when paint film has completely dried (with normal film thickness 4 to 5 days)
• With a brush apply in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Gives a matt appearance
• Mixing with Acrylic varnish gloss 114 increases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry layers of varnish can be removed with white spirit
• Shake well before use
• Flammable (in spray can: extremely flammable)

Available in 1000 ml.

Extra Heavy Gel Medium Glossy

Purpose: Increasing the viscosity, gloss and transparency of acrylic colors
Composition: Acrylic resin dispersion, thickening compounds
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Makes acrylic colors very thick
• Increases the brush stroke considerably
• Makes it possible to apply very thick layers of acrylic color
• Also suitable for gluing all kinds of materials
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml

Extra Heavy Gel Medium Matt

Purpose: Increasing the viscosity and transparency of acrylic colors, reducing the gloss
Composition: Acrylic resin dispersion, thickening compounds, matting agent (silica)
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Makes acrylic colors very thick
• Increases the brush stroke considerably
• Makes it possible to apply very thick layers of acrylic color
• Also suitable for gluing all kinds of materials
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml

Heavy Gel Medium Glossy

Purpose: Increasing the viscosity, gloss and transparency of acrylic colors
Composition: Acrylic resin dispersion, thickening compounds
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Makes acrylic colors thicker
• Increases the brush stroke
• Enables the application in one stroke of extremely thick layers of acrylic color
• Also suitable for gluing all kinds of materials
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml

Heavy Gel Medium Matt

Purpose: Increasing the viscosity and transparency of acrylic colors, reducing the gloss
Composition: Acrylic resin dispersion, thickening compounds, matting agent (silica)
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Makes acrylic colors pasty
• Increases the brush stroke
• Enables the application in one stroke of extremely thick layers of acrylic color
• Also suitable for gluing all kinds of materials
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml.

VARNISH HIGH GLOSS AMS 75ML

Amsterdam acrylic varnish
- Apply when paint film has dried completely (4 to 5 days with normal film thickness)
- Shake well before use
- Apply with a brush in one layer and in one direction
- Dries in a few hours
- Does not yellow
- Can be thinned with white spirit
- Clean brushes with white spirit
- Flammable (in spray can: extremely flammable)
- Dry varnish layers can be removed with white spirit

Acrylic remover 75ml.

Purpose: Removing dried acrylic paint from brushes
Composition: Solvent of natural origin
Qualities:
• Completely biodegradable
• Soak hair bundle of brush with dried paint remnants for 1 hour
• Wash off cleaned materials with water and soap and then rinse
• Not suitable for removing dried layers of varnish; can damage the acrylic paint
• Can cause irritation
Available in 75 ml.

Acrylic Varnish Matt 250ml.

Thinning acrylic paint and reducing the degree of gloss while retaining the durability of the paint film.
- Milky white, but once dry colorless and transparent
- shake well before use
- reduce the degree of gloss
- Does not affact the drying time of the paint
- Increses the flexibility of the paint film
- Can be thinned with water
- Waterproof when dry
-Can be mixed with acrylic paint in any ratio
- Apply at temperatures above 10oC
- Do not freeze

Acrylic medium glossy 250ml.

Purpose: Thinning acrylic colors and retaining the durability of the paint film
Composition: Resin dispersion
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Increases the degree of gloss
• Does not affect the drying time
• Increases the flexibility of the paint film
• Can be thinned with water
• Waterproof when dry
• Suitable for glazing technique with acrylic colors
• Apply at temperatures above 10 degree
• Do not freeze
Available in 250 ml.

Acrylic varnish glossy 250ml.

Add a durable protective layer of varnish to your acrylic or oil painting. This varnish will add a gloss finish, is non-yellowing and can be removed when necessary.

Acrylic medium glossy 75ml.

Purpose: Thinning acrylic colors and retaining the durability of the paint film
Composition: Resin dispersion
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Increases the degree of gloss
• Does not affect the drying time
• Increases the flexibility of the paint film
• Can be thinned with water
• Waterproof when dry
• Suitable for glazing technique with acrylic colors
• Apply at temperatures above 10 degree
• Do not freeze
Available in 75 ml.

AAC ACRYLIC RETARDER 75ML

Adding a maximum 5% of retarder to your paint will delay the drying time - giving you more time to work with the paint, with little effect on the viscosity and opacity

Acrylic varnish glossy 1000ml.

Purpose: Durable protection of acrylic color paintings (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin
Qualities:
• Dry within a few hours
• Does not yellow
• Mixing with Acrylic varnish matt 115 decreases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry varnish layers can be removed with white spirit
• Flammable (in spray can extremely flammable)
Available in 1000 ml

Acrylic varnish matt 250ml.

Purpose: Durable protection of an oil painting (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil, matting agents (silicas)
Qualities:
• Apply when paint film has completely dried (with normal film thickness 4 to 5 days)
• With a brush apply in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Gives a matt appearance
• Mixing with Acrylic varnish gloss 114 increases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry layers of varnish can be removed with white spirit
• Shake well before use
• Flammable (in spray can: extremely flammable)

Acrylic varnish matt 75ml.

Purpose: Durable protection of an oil painting (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil, matting agents (silicas)
Qualities:
• Apply when paint film has completely dried (with normal film thickness 4 to 5 days)
• With a brush apply in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Gives a matt appearance
• Mixing with Acrylic varnish gloss 114 increases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry layers of varnish can be removed with white spirit
• Shake well before use
• Flammable (in spray can: extremely flammable)

Acrylic varnish glossy 75ml.

Purpose: Durable protection of acrylic color paintings (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin
Qualities:
• Dry within a few hours
• Does not yellow
• Mixing with Acrylic varnish matt 115 decreases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry varnish layers can be removed with white spirit
• Flammable (in spray can extremely flammable)

Acrylic Varnish Glossy 400ml.

Purpose: Durable protection of acrylic colour paintings (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin
Qualities:
Applyafter the paint film has completely dried (whith normal film thickness of 4 to 5 days)
Dry within a few hours
Does not yellow
Mixing with Acrylic varnish matt 115 decreases the degree of gloss
can be thinned with white spirit, clean brushes with white spirit
Dry varnish layers can be removed with white spirit
Flammable (in spray can extremely flammable)

Acrylic Varnish Matt 400ml.

Purpose: Durable protection of acrylic colour paintings (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin
Qualities:
Applyafter the paint film has completely dried (whith normal film thickness of 4 to 5 days)
Dry within a few hours
Does not yellow
Mixing with Acrylic varnish matt 115 decreases the degree of gloss
can be thinned with white spirit, clean brushes with white spirit
Dry varnish layers can be removed with white spirit
Flammable (in spray can extremely flammable)

Gel Medium Glossy

Purpose: Increasing the gloss and transparency of acrylic colors while retaining the viscosity. Gluing all sorts of materials.
Composition: Acrylic resin dispersion, thickening compounds
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Apply at temperatures above 10° C
• Do not freeze
Available In 250 ml.

Gel Medium Matt

Purpose: Reducing the gloss and increasing the transparency of acrylic colors whilst retaining the viscosity. Gluing all sorts of materials
Composition: Acrylic resin dispersion, thickening compounds, matting agent (silica)
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml.

Talens Gesso Primer

Composition: Acrylic resin dispersion, titanium dioxide

• Provides good adhesion for oil colours, acr ylic colours, gouache, etc.
• Suitable for absorbent grounds that are free of dust and grease, such as artistsf canvas, wood, plywood, hardboard, cardboard and paper
• Suitable as preparation for murals on (alkaline) grounds such as fresh concrete, stucco and bricks
• Very absorbent grounds must first be treated with Amsterdam Acrylic binder
• Can be coloured with acr ylic colour
• Thinnable with water
• Dries within a few hours, after 24 hour it can be painted over with oil colour
• Apply at temperatures above 10‹C, do not freeze
• Clean utensils with water

Available in buckets of 1 litre.

ALKYD MEDIUM (GLOSS) 100ml.

Transparent / Glue / Gloss
Mixing with AQYLA, incrasing transparency and gloss. It can be used to pile up or as a collage's glue. It can be used alone. There is no usage limitation on amount when it is mixed. Exclusive use dries slowly.

ALKYD MEDIUM (MATTE) 100ml.

Transparent / Glue / Gloss
Mixing with AQYLA, incrasing transparency without gloss. It can be used to pile up or as a collage's glue. It can be used alone. There is no usage limitation on amount when it is mixed. Exclusive use dries slowly.

Liquid Masking Film 75 ml.

painting
Composition: Dispersion of natural rubber in water

• Prevents adhesion of water colour to areas of the painting that are treated with Liquid masking film
• Dries in 10 minutes
• Once dry remove with the fingertips or an eraser within a few days
• Becomes more difficult to remove after some time
• Can cause discolouration on cellulosic paper
• Can also be used for water-based inks

Available in 75 ml.

Protecting Spray150 ml.

Purpose: Protecting works carried out in, for example, gouache, water colour and inks
Composition: Colourless, non-yellowing acrylic resin, dissolved in, amongst others, white spirit

• Short drying time
• Layer thickness determines the degree of gloss (a thick layer gives a higher gloss)
• Makes matt paint layers more transparent and colours deeper
• Does not yellow
• Water resistant when dry, making the painting less susceptible to moisture
• Store in a cool and dry place
• Extremely flammable

Available in 150 ml spray can.

Protecting spray 400 ml.

Purpose: Protecting works carried out in, for example, gouache, water colour and inks
Composition: Colourless, non-yellowing acrylic resin, dissolved in, amongst others, white spirit
• Short drying time
• Layer thickness determines the degree of gloss (a thick layer gives a higher gloss)
• Makes matt paint layers more transparent and colours deeper
• Does not yellow
• Water resistant when dry, making the painting less susceptible to moisture
• Store in a cool and dry place
• Extremely flammable
Available in 400 ml spray can.

Concentrated Fixative 150 ml.

Purpose: Improving the adhesion of particles of pastels, charcoal, chalk and graphite to the surface<br />
Composition: Colourless resins, ethanol

• In combination with pastel use preferably in every layer
• Use sparingly
• Quick-drying
• Non-yellowing
• More concentrated than Fixative for pastel 061
• Retouches the so-called ‘blooming’ (white veil formation) in colour pencil drawings
• Extremely flammable

Available in 150 ml

Concentrated Fixative 400 ml.

Purpose: Improving the adhesion of particles of pastels, charcoal, chalk and graphite to the surface
Composition: Colourless resins, ethanol

• In combination with pastel use preferably in every layer
• Use sparingly
• Quick-drying
• Non-yellowing
• More concentrated than Fixative for pastel 061
• Retouches the so-called ‘blooming’ (white veil formation) in colour pencil drawings
• Extremely flammable

Available in 400 ml

KUSAKABE RETOUCHER 55ML.

Rembrandt Luxury Watercolour

Rembrandt Luxury Watercolour Travel Brush Set Luxury, Professional Quality Watercolour Brushes A beautifully presented set of artist's quality watercolour brushes neatly secured inside a lightweight, black cardboard box
These high-quality brushes are capable of holding large amounts of water and are particularly suited to painting finer details, however the brush extender included allows for easy regular use for those who prefer a standard sized brush.
Their convenient small size makes them perfect for taking with you on various outings, holidays, art classes or simply for use at home or in the studio.

ROC/RAC BRUSH 240/8 YOR FSC

Rembrandt acrylic and oil colour is a 'high-quality' artists' paint that meets the strict requirement of today's artists.
- Pure red sable hair
- Flat shape
- flattend ferrule, seamless nickle-plated brass
- 145 mm, long, painted in matt black
- Flexible and resistant to wear

ROC/RAC BRUSH 240/8 FSC

Rembrandt brushes have a large choice of hair types of the highest quality. A perfect setting of hair bundle. They are made with traditional craftmanship and the greatest care. Oil&Acrylic Brush Series 240 No. 8

water colour brush series 110

Series: 110
Hair: red sable hair
Form: round with a very fine tip
Ferrule: round, seamless gold-plated brass
Handle: short, painted in matt black
Characteristics: • resilient hair bundle • can hold a large amount of water • for both large surfaces as well as very fine details

RWC BRUSH 110/2-4-8 FSC

Rembrandt Series 107

Series: 107
Technique: water colour
Hair: petit gris pur and red sable
Form: round, sharply pointed
Ferrule: seamless, gold-plated brass
Handle: short, black, lacquered, length: 230, 235 mm
Characteristics:
• remarkable resilience
• can hold a large amount of water
• for both large surfaces as well as very fine details

Rembrandt Series 132

Series: 132
Technique: water colour
Hair: petit gris pur (squirrel)
Form: oval
Ferrule: seamless, nickel-plated brass
Handle: short, black lacquered, length: 190 - 205 mm
Characteristics:
• very soft hair bundle
• can hold a large amount of water
• suitable for making washes

Rembrandt series 135

Series: 135
Technique: water colour
Hair: petit gris pur (squirrel)
Form: round, pointed
Ferrule: transparent swan's feather shaft, bound with brass wire (French setting)
Handle: natural wood, white lacquered, length: 160 - 175 mm
Characteristics:
• very soft hair bundle
• can hold a large amount of water
• suitable for making washes and for painting details

Rembrandt series 310

Series: 310
Technique: water colour, oil, acrylic, gouache
Hair: red sable
Form: round, liner with pointed end
Ferrule: seamless, nickel-plated brass
Handle: long, black lacquered, length: 280 -295 mm
Characteristics:
• resilient hair bundle, resistant to wear
• very sharp point
• highly suitable for "drawing-like" painting work

Van Gogh series 130

Series: 130
Technique: water colour
Hair: pure black goat
Form: round, pointed
Ferrule: imitation swan's feather shaft, bound with brass wire (French
Handle: natural wood, unlacquered, length: 160 - 175 mm
Characteristics: * Very soft goat hair in a rich bundle * Can hold a large amount of water * For making washes

oil/acrylic brush series 232

Series: 232
Hair: ox hair
Form: cat's tongue
Ferrule: flattened, seamless nickel-plated brass
Handle: long, painted in gloss
Characteristics: • resilient hair bundle, resistant to wear • gives a pointed and straight touch

VARNISH BRUSH 362 3"# FSC

Series: 362
Technique: Oil, Acrylic, Gouache Colour
Hair: hog bristle
Form: flat
Ferrule: aluminum
Handle: short, black, white lacquered, length: 175 - 190 mm
Characteristics: * for painting, priming and varnishing large surfaces