Acrylic Varnish Matt 1000ml.

Purpose: Durable protection of an oil painting (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil, matting agents (silicas)

Qualities:
• Apply when paint film has completely dried (with normal film thickness 4 to 5 days)
• With a brush apply in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Gives a matt appearance
• Mixing with Acrylic varnish gloss 114 increases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry layers of varnish can be removed with white spirit
• Shake well before use
• Flammable (in spray can: extremely flammable)

Available in 1000 ml.

Extra Heavy Gel Medium Glossy

Purpose: Increasing the viscosity, gloss and transparency of acrylic colors
Composition: Acrylic resin dispersion, thickening compounds
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Makes acrylic colors very thick
• Increases the brush stroke considerably
• Makes it possible to apply very thick layers of acrylic color
• Also suitable for gluing all kinds of materials
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml

Extra Heavy Gel Medium Matt

Purpose: Increasing the viscosity and transparency of acrylic colors, reducing the gloss
Composition: Acrylic resin dispersion, thickening compounds, matting agent (silica)
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Makes acrylic colors very thick
• Increases the brush stroke considerably
• Makes it possible to apply very thick layers of acrylic color
• Also suitable for gluing all kinds of materials
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml

Heavy Gel Medium Glossy

Purpose: Increasing the viscosity, gloss and transparency of acrylic colors
Composition: Acrylic resin dispersion, thickening compounds
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Makes acrylic colors thicker
• Increases the brush stroke
• Enables the application in one stroke of extremely thick layers of acrylic color
• Also suitable for gluing all kinds of materials
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml

Heavy Gel Medium Matt

Purpose: Increasing the viscosity and transparency of acrylic colors, reducing the gloss
Composition: Acrylic resin dispersion, thickening compounds, matting agent (silica)
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Makes acrylic colors pasty
• Increases the brush stroke
• Enables the application in one stroke of extremely thick layers of acrylic color
• Also suitable for gluing all kinds of materials
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml.

VARNISH HIGH GLOSS AMS 75ML

Amsterdam acrylic varnish
- Apply when paint film has dried completely (4 to 5 days with normal film thickness)
- Shake well before use
- Apply with a brush in one layer and in one direction
- Dries in a few hours
- Does not yellow
- Can be thinned with white spirit
- Clean brushes with white spirit
- Flammable (in spray can: extremely flammable)
- Dry varnish layers can be removed with white spirit

Acrylic remover 75ml.

Purpose: Removing dried acrylic paint from brushes
Composition: Solvent of natural origin
Qualities:
• Completely biodegradable
• Soak hair bundle of brush with dried paint remnants for 1 hour
• Wash off cleaned materials with water and soap and then rinse
• Not suitable for removing dried layers of varnish; can damage the acrylic paint
• Can cause irritation
Available in 75 ml.

Acrylic Varnish Matt 250ml.

Thinning acrylic paint and reducing the degree of gloss while retaining the durability of the paint film.
- Milky white, but once dry colorless and transparent
- shake well before use
- reduce the degree of gloss
- Does not affact the drying time of the paint
- Increses the flexibility of the paint film
- Can be thinned with water
- Waterproof when dry
-Can be mixed with acrylic paint in any ratio
- Apply at temperatures above 10oC
- Do not freeze

Acrylic medium glossy 250ml.

Purpose: Thinning acrylic colors and retaining the durability of the paint film
Composition: Resin dispersion
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Increases the degree of gloss
• Does not affect the drying time
• Increases the flexibility of the paint film
• Can be thinned with water
• Waterproof when dry
• Suitable for glazing technique with acrylic colors
• Apply at temperatures above 10 degree
• Do not freeze
Available in 250 ml.

Acrylic varnish glossy 250ml.

Add a durable protective layer of varnish to your acrylic or oil painting. This varnish will add a gloss finish, is non-yellowing and can be removed when necessary.

Acrylic medium glossy 75ml.

Purpose: Thinning acrylic colors and retaining the durability of the paint film
Composition: Resin dispersion
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Increases the degree of gloss
• Does not affect the drying time
• Increases the flexibility of the paint film
• Can be thinned with water
• Waterproof when dry
• Suitable for glazing technique with acrylic colors
• Apply at temperatures above 10 degree
• Do not freeze
Available in 75 ml.

AAC ACRYLIC RETARDER 75ML

Adding a maximum 5% of retarder to your paint will delay the drying time - giving you more time to work with the paint, with little effect on the viscosity and opacity

Acrylic varnish glossy 1000ml.

Purpose: Durable protection of acrylic color paintings (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin
Qualities:
• Dry within a few hours
• Does not yellow
• Mixing with Acrylic varnish matt 115 decreases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry varnish layers can be removed with white spirit
• Flammable (in spray can extremely flammable)
Available in 1000 ml

Acrylic varnish matt 250ml.

Purpose: Durable protection of an oil painting (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil, matting agents (silicas)
Qualities:
• Apply when paint film has completely dried (with normal film thickness 4 to 5 days)
• With a brush apply in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Gives a matt appearance
• Mixing with Acrylic varnish gloss 114 increases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry layers of varnish can be removed with white spirit
• Shake well before use
• Flammable (in spray can: extremely flammable)

Acrylic varnish matt 75ml.

Purpose: Durable protection of an oil painting (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil, matting agents (silicas)
Qualities:
• Apply when paint film has completely dried (with normal film thickness 4 to 5 days)
• With a brush apply in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Gives a matt appearance
• Mixing with Acrylic varnish gloss 114 increases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry layers of varnish can be removed with white spirit
• Shake well before use
• Flammable (in spray can: extremely flammable)

Acrylic varnish glossy 75ml.

Purpose: Durable protection of acrylic color paintings (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin
Qualities:
• Dry within a few hours
• Does not yellow
• Mixing with Acrylic varnish matt 115 decreases the degree of gloss
• Can be thinned with white spirit, clean brushes with white spirit
• Dry varnish layers can be removed with white spirit
• Flammable (in spray can extremely flammable)

Acrylic Varnish Glossy 400ml.

Purpose: Durable protection of acrylic colour paintings (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin
Qualities:
Applyafter the paint film has completely dried (whith normal film thickness of 4 to 5 days)
Dry within a few hours
Does not yellow
Mixing with Acrylic varnish matt 115 decreases the degree of gloss
can be thinned with white spirit, clean brushes with white spirit
Dry varnish layers can be removed with white spirit
Flammable (in spray can extremely flammable)

Acrylic Varnish Matt 400ml.

Purpose: Durable protection of acrylic colour paintings (final varnish)
Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin
Qualities:
Applyafter the paint film has completely dried (whith normal film thickness of 4 to 5 days)
Dry within a few hours
Does not yellow
Mixing with Acrylic varnish matt 115 decreases the degree of gloss
can be thinned with white spirit, clean brushes with white spirit
Dry varnish layers can be removed with white spirit
Flammable (in spray can extremely flammable)

Gel Medium Glossy

Purpose: Increasing the gloss and transparency of acrylic colors while retaining the viscosity. Gluing all sorts of materials.
Composition: Acrylic resin dispersion, thickening compounds
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Apply at temperatures above 10° C
• Do not freeze
Available In 250 ml.

Gel Medium Matt

Purpose: Reducing the gloss and increasing the transparency of acrylic colors whilst retaining the viscosity. Gluing all sorts of materials
Composition: Acrylic resin dispersion, thickening compounds, matting agent (silica)
Qualities:
• Milky white product, dries to a colorless and transparent finish
• Apply at temperatures above 10 °C
• Do not freeze
Available In 250 ml.

Talens Gesso Primer

Composition: Acrylic resin dispersion, titanium dioxide

• Provides good adhesion for oil colours, acr ylic colours, gouache, etc.
• Suitable for absorbent grounds that are free of dust and grease, such as artistsf canvas, wood, plywood, hardboard, cardboard and paper
• Suitable as preparation for murals on (alkaline) grounds such as fresh concrete, stucco and bricks
• Very absorbent grounds must first be treated with Amsterdam Acrylic binder
• Can be coloured with acr ylic colour
• Thinnable with water
• Dries within a few hours, after 24 hour it can be painted over with oil colour
• Apply at temperatures above 10‹C, do not freeze
• Clean utensils with water

Available in buckets of 1 litre.

ALKYD MEDIUM (GLOSS) 100ml.

Transparent / Glue / Gloss
Mixing with AQYLA, incrasing transparency and gloss. It can be used to pile up or as a collage's glue. It can be used alone. There is no usage limitation on amount when it is mixed. Exclusive use dries slowly.

ALKYD MEDIUM (MATTE) 100ml.

Transparent / Glue / Gloss
Mixing with AQYLA, incrasing transparency without gloss. It can be used to pile up or as a collage's glue. It can be used alone. There is no usage limitation on amount when it is mixed. Exclusive use dries slowly.

Liquid Masking Film 75 ml.

painting
Composition: Dispersion of natural rubber in water

• Prevents adhesion of water colour to areas of the painting that are treated with Liquid masking film
• Dries in 10 minutes
• Once dry remove with the fingertips or an eraser within a few days
• Becomes more difficult to remove after some time
• Can cause discolouration on cellulosic paper
• Can also be used for water-based inks

Available in 75 ml.

Protecting Spray150 ml.

Purpose: Protecting works carried out in, for example, gouache, water colour and inks
Composition: Colourless, non-yellowing acrylic resin, dissolved in, amongst others, white spirit

• Short drying time
• Layer thickness determines the degree of gloss (a thick layer gives a higher gloss)
• Makes matt paint layers more transparent and colours deeper
• Does not yellow
• Water resistant when dry, making the painting less susceptible to moisture
• Store in a cool and dry place
• Extremely flammable

Available in 150 ml spray can.

Protecting spray 400 ml.

Purpose: Protecting works carried out in, for example, gouache, water colour and inks
Composition: Colourless, non-yellowing acrylic resin, dissolved in, amongst others, white spirit
• Short drying time
• Layer thickness determines the degree of gloss (a thick layer gives a higher gloss)
• Makes matt paint layers more transparent and colours deeper
• Does not yellow
• Water resistant when dry, making the painting less susceptible to moisture
• Store in a cool and dry place
• Extremely flammable
Available in 400 ml spray can.

Concentrated Fixative 150 ml.

Purpose: Improving the adhesion of particles of pastels, charcoal, chalk and graphite to the surface<br />
Composition: Colourless resins, ethanol

• In combination with pastel use preferably in every layer
• Use sparingly
• Quick-drying
• Non-yellowing
• More concentrated than Fixative for pastel 061
• Retouches the so-called ‘blooming’ (white veil formation) in colour pencil drawings
• Extremely flammable

Available in 150 ml

Concentrated Fixative 400 ml.

Purpose: Improving the adhesion of particles of pastels, charcoal, chalk and graphite to the surface
Composition: Colourless resins, ethanol

• In combination with pastel use preferably in every layer
• Use sparingly
• Quick-drying
• Non-yellowing
• More concentrated than Fixative for pastel 061
• Retouches the so-called ‘blooming’ (white veil formation) in colour pencil drawings
• Extremely flammable

Available in 400 ml

Rembrandt Luxury Watercolour

Rembrandt Luxury Watercolour Travel Brush Set Luxury, Professional Quality Watercolour Brushes A beautifully presented set of artist's quality watercolour brushes neatly secured inside a lightweight, black cardboard box
These high-quality brushes are capable of holding large amounts of water and are particularly suited to painting finer details, however the brush extender included allows for easy regular use for those who prefer a standard sized brush.
Their convenient small size makes them perfect for taking with you on various outings, holidays, art classes or simply for use at home or in the studio.

ROC/RAC BRUSH 240/8 YOR FSC

Rembrandt acrylic and oil colour is a 'high-quality' artists' paint that meets the strict requirement of today's artists.
- Pure red sable hair
- Flat shape
- flattend ferrule, seamless nickle-plated brass
- 145 mm, long, painted in matt black
- Flexible and resistant to wear

ROC/RAC BRUSH 240/8 FSC

Rembrandt brushes have a large choice of hair types of the highest quality. A perfect setting of hair bundle. They are made with traditional craftmanship and the greatest care. Oil&Acrylic Brush Series 240 No. 8

Rembrandt Series 107

Series: 107
Technique: water colour
Hair: petit gris pur and red sable
Form: round, sharply pointed
Ferrule: seamless, gold-plated brass
Handle: short, black, lacquered, length: 230, 235 mm
Characteristics:
• remarkable resilience
• can hold a large amount of water
• for both large surfaces as well as very fine details

water colour brush series 110

Series: 110
Hair: red sable hair
Form: round with a very fine tip
Ferrule: round, seamless gold-plated brass
Handle: short, painted in matt black
Characteristics: • resilient hair bundle • can hold a large amount of water • for both large surfaces as well as very fine details

Rembrandt Series 132

Series: 132
Technique: water colour
Hair: petit gris pur (squirrel)
Form: oval
Ferrule: seamless, nickel-plated brass
Handle: short, black lacquered, length: 190 - 205 mm
Characteristics:
• very soft hair bundle
• can hold a large amount of water
• suitable for making washes

Rembrandt series 135

Series: 135
Technique: water colour
Hair: petit gris pur (squirrel)
Form: round, pointed
Ferrule: transparent swan's feather shaft, bound with brass wire (French setting)
Handle: natural wood, white lacquered, length: 160 - 175 mm
Characteristics:
• very soft hair bundle
• can hold a large amount of water
• suitable for making washes and for painting details

Rembrandt series 310

Series: 310
Technique: water colour, oil, acrylic, gouache
Hair: red sable
Form: round, liner with pointed end
Ferrule: seamless, nickel-plated brass
Handle: long, black lacquered, length: 280 -295 mm
Characteristics:
• resilient hair bundle, resistant to wear
• very sharp point
• highly suitable for "drawing-like" painting work

RWC BRUSH 110/2-4-8 FSC

Van Gogh series 130

Series: 130
Technique: water colour
Hair: pure black goat
Form: round, pointed
Ferrule: imitation swan's feather shaft, bound with brass wire (French
Handle: natural wood, unlacquered, length: 160 - 175 mm
Characteristics: * Very soft goat hair in a rich bundle * Can hold a large amount of water * For making washes

oil/acrylic brush series 232

Series: 232
Hair: ox hair
Form: cat's tongue
Ferrule: flattened, seamless nickel-plated brass
Handle: long, painted in gloss
Characteristics: • resilient hair bundle, resistant to wear • gives a pointed and straight touch

VARNISH BRUSH 362 3"# FSC

Series: 362
Technique: Oil, Acrylic, Gouache Colour
Hair: hog bristle
Form: flat
Ferrule: aluminum
Handle: short, black, white lacquered, length: 175 - 190 mm
Characteristics: * for painting, priming and varnishing large surfaces

Artcreation Elements Brushes

This Artcreation Elements brushes are suitable for oil colour, acrylic and gouche.

AAC PADDLE BRUSH 2"-3" 602 FSC#

Paddle Brushes features high-quality synthetic hairs which will retain their shape and that work exceptionally well with both pasty and thinner acrylics. The broad 2-3 inch line of short hairs in a relatively thin bundle in combination with the flat handle provides ultimate control. They are perfect for covering large surfaces and varnishing, but also gives you the ability to work expressive and do calligraphy. The hairs are mounted on the ergonomic handle with a strong nickel-plated brass ferrule.

DERWENT TECHNIQUE BRUSH SET

Create a variety of interesting brush marks on paper, from washes to fine detail
Set includes 6 brushes: foam, swordliner, fan, flat, comb and rigger
Synthetic hair tips
Included leaflet helps you get started
For use with any water soluble medium

Derwent Medium Waterbrush

The Waterbrush is an artist's dream. The brush houses water in the barrel of the pen which is supplied to the fibre brush via a valve. The flow of water is controlled by slight pressure on the barrel when the brush meets paper. For om wet techniques just squeeze the barrel of the pen lightly, and to clean it simply apply pressure to the barrel and the dirty water will work its way out of the brush. Available with a medium or small brush head.

Derwent Multi-pack Waterbrush3

The Waterbrush is an artist's dream. The brush houses water in the barrel of the pen which is supplied to the fibre brush via a valve. The flow of water is controlled by slight pressure on the barrel when the brush meets paper. For om wet techniques just squeeze the barrel of the pen lightly, and to clean it simply apply pressure to the barrel and the dirty water will work its way out of the brush. Available with a medium or small brush head.

Colour Shaper set

Colour Shaper set pack of 5 SEIKAI No. 6 brush head is made of silicone. Flexibility Cursor to draw not easily scratch the surface of the canvas or paper. Does not absorb paint for easy cleaning. Ideal for creating texture in art.

ARTIST BRUSHERS

Suitable for water colour. Synthetic hair brush with white handle.

ARTS & PALETTE SEIKAI

ARTS & PALETTE SEIKAI brush set. There are wooden palette and the brush 12 pieces.

Watercolor Brush set

Set brush watercolor brush the hair shaft SEIKAI 4 nylon. The handle is made of clear acrylic with durability. That include several types of brushes used watercolor painting are based
- brush swept No. 4
- No. 10 flat brush
- round brush No. 6.
- round brush No. 12

Watercolor Brush set

Watercolor Brush Set 3 pens, nylon brush lashes as SEIKAI a butt from a church that is strong, durable khasai include files of various types that use basic watercolor painting:
-Flat end brush-0.75
-The round brush 8 extension,
Round Harbour 2-brush

ARTIST BRUSHES

ARTIST BRUSHES

ARTIST BRUSHES

ARTISH BRUSH 4,8,16

- Suitable for Acrylic.
- Flat and white hair
- There are No. 4, 8, 16
- Able to paint onto frame canvas or other materials.
- Hair brush made from Nylon.
- Handle made from strength wooden varnish black colour.

BRUSH TANK

BRUSH TANK

HOG OIL ROUND NICKEL BRUSH 0-20

Watercolor Brush No.0-8Seikai

For watercolor painting quality standards can absorb water better than normal brushes.

HIGH SQUIRREL HAIR SIZE 2-8

SQUIRREL MIX WOOD HANDLE 1"-2H

For painting: Watercolor
Brush hair: Squirrel hair // Brush tip shape: Flat, cat's tongue
Handle: Long handle, made of natural wood, black lacquered
Features: For painting watercolors, the brush hair holds water and has good springiness

CHUNGKING BRISTLE WOOD BRUSH 6-10

Brush set pack of 6.

Set brush watercolor brush hair shaft is SEIKAI 6 nylon. Coated shaft That include several types of brushes For watercolor painting classes include basic
- flat brush 3/4
- 3/8 misses the flat
- rounded brushes No. 12
- No. 8 round brush
- brush, round No. 1
- No. 2 paintbrush blows.

KOLINSKY HAIR NICKEL BRUSH 0-20

WATER ROUND 2TONE GOLD BRUSH 0-20

Watercolor Brush Round 00-16

Brushes for painting with watercolors, watercolor brush round hair brush hair is white number 0.0 nylon, nylon thin, soft hairs absorb water well. When it is time to draw me a great spin. When the brush head will draw sharp lines. Brush handle is made of acrylic adhesive strength.

Watercolor Brush Round 0-16

Brushes for painting with watercolors, airbrush, watercolor brush, round gold number 0 as wool, nylon, wool, nylon, thin, soft, absorb water well. When it is time to draw me a great spin. When the brush head will draw sharp lines. Brush handle is made of acrylic adhesive strength.

Squirrel Round Water nickel 2-10

Watercolor Brush Angle 0.5-1

Brush Watercolor Brush feather Burton-Seikai late 0.50-1 is made from nylon, the butt of a church with a strong, durable khasai.

Watercolor Brush Fan 2-4

Blow brush brush watercolor Seikai Burton feather brush, nylon, the SDS 2-4 is made of a high strength acrylic khasai. Fur brush sort as, style, blow the neck fur brush brush width 15 mm., length 24 mm.

Brush oil - acrylic Series 3 pcs.

Brushes for painting with oil paint and acrylic paint a flat head No. 12,16 and paint a round number 8 onto a canvas or draw other materials. At large The nylon brush hairs with a good spring. Head brush when drawing the line there will be clear. Brush handle made of black wood putty is strong.

Squirrel RiggerWater nickel 3/0-2

WATER FLAT 2TONE GOLD BRUSH 0-20

Watercolor Brush Flat 0-16

Brushes for painting with watercolors, watercolor paintbrush flat white hair brush number 0-16 as wool, nylon, nylon, thin, soft hairs absorb water well. When it is time to draw me a great spin. When the brush head will draw sharp lines. Brush handle is made of acrylic adhesive strength.

Watercolor Brush Flat 0-16

A flat brush brush watercolor Seikai cargo nylon brush is 0-16 the pens made from a high-strength acrylic khasai fur brush brush width 4 mm. base brush long 7 mm lashes.

Colour Shaper 1-3 inch.

Colour Shaper SEIKAI brush head is made of flexible silicone. Cursor to draw not easily scratch the surface of the canvas or paper does not absorb paint for easy cleaning. Ideal for creating texture in art.

BRUSH TANK SEIKAI

ROUND BRUSH TANK SEIKAI.
- Hair brush length : 1.5cm.
- There is a small tube to fill the water.
- Nylon hair brush
- Suitable for water colour and pan colour
- Convenient to carrying and using

WATER BRUSH PEN

BRUSH TANK SEIKAI

FLAT BRUSH TANK SEIKAI.
- Hair brush length : 1.8cm.
- There is a small tube to fill the water.
- Nylon hair brush
- Suitable for water colour and pan colour
- Convenient to carrying and using

Waterbrush

The same tank Size L-length tassel of 1.2 cm. Brush brush lashes with a barrel tip for water transport, nylon brush feather is ideal for drainage, and pastel color a cake makes it easy to use and carry.

FLAT & SLANTED 8-12

- Suitable for water colour.
- Synthetic hair brush with white handle.
- Brush tip : flat and slanted.
- Ferrule : black ferrule.
- Handle : short, white colour, length 170 - 180 mm.
- Characteristic : Suitable for painting wide or corner edges