High-quality products for designers, graphic artists and illustrators.Gouache, is an opaque paint with a high pigment load that completely obscures the ground. The opacity of the paint is obtained by using opaque fillings. Gouache is often used by designers and illustrators and for educational purposes.
Content: 10 tubes 20 ml (100-200-227-311-318-411-506-566-616-703)
High-quality products for designers, graphic artists and illustrators.Gouache, is an opaque paint with a high pigment load that completely obscures the ground. The opacity of the paint is obtained by using opaque fillings. Gouache is often used by designers and illustrators and for educational purposes.
Content: 5 tubes 20 ml (100-205-397-501-703)
High-quality products for designers, graphic artists and illustrators.Gouache, is an opaque paint with a high pigment load that completely obscures the ground. The opacity of the paint is obtained by using opaque fillings. Gouache is often used by designers and illustrators and for educational purposes.
Contents: 8 tubes 20 ml (100-200-205-311-397-501-506-703)
Talens transparent water colours
• Transparent water colours in pans with a 3-cm diameter
• The square pans with a raised edge prevent colours from running over into one another
• Very suitable for use at home and in schools
• Available in 2 selection sets
Talens transparent water colours
• Transparent water colours in pans with a 3-cm diameter
• The square pans with a raised edge prevent colours from running over into one another
• Very suitable for use at home and in schools
• Available in 2 selection sets
Charcoal
• Artists' quality charcoal made of specially selected willow twigs
• The sticks easily release their full, rich and dense colour
• Available in three thicknesses
Charcoal
• Artists' quality charcoal made of specially selected willow twigs
• The sticks easily release their full, rich and dense colour
• Available in three thicknesses
Charcoal
• Artists' quality charcoal made of specially selected willow twigs
• The sticks easily release their full, rich and dense colour
• Available in three thicknesses
Charcoal
• Artists' quality charcoal made of specially selected willow twigs
• The sticks easily release their full, rich and dense colour
• Available in three thicknesses
Indian ink
• Trusted drawing ink for drawing, calligraphy and airbrush work
• Based on highly lightfast pigment and shellac
• Gives an attractive deep black result through a maximum pigment concentration
• Can be thinned with water; waterproof once dry
• Suitable for many sorts of grounds such as (tec)
Indian ink
• Trusted drawing ink for drawing, calligraphy and airbrush work
• Based on highly lightfast pigment and shellac
• Gives an attractive deep black result through a maximum pigment concentration
• Can be thinned with water; waterproof once dry
Indian ink
• Trusted drawing ink for drawing, calligraphy and airbrush work
• Based on highly lightfast pigment and shellac
• Gives an attractive deep black result through a maximum pigment concentration
• Can be thinned with water; waterproof once dry
Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time
Composition: Alkyd resin, white spirit
• Increases the durability and elasticity of the paint film
• Makes the brush stroke run, depending on the amount added
• Hardly influences the degree of gloss
• Slightly yellowing
• Can be thinned with white spirit or turpentine
• Suitable as glazing medium
• Flammable
Available in 250 ml.
Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the drying time
Composition: Alkyd resin, white spirit
• Increases the durability and elasticity of the paint film
• Makes the brush stroke run, depending on the amount added
• Hardly influences the degree of gloss
• Slightly yellowing
• Can be thinned with white spirit or turpentine
• Suitable as glazing medium
• Flammable
Available in 75 ml.
Purpose: Increasing the flow and transparency of glazing layers in oil colour
Composition: Vegetable oils, synthetic resins, white spirit
• No influence on the drying time of the paint film
• Brush stroke runs
• Increases the gloss
• Does not yellow
• Increases the durability and elasticity of the paint film
• Can be thinned with white spirit or turpentine
• Flammable
Available in 75 ml and 250 ml.
Purpose: Increasing the flow and transparency of glazing layers in oil colour
Composition: Vegetable oils, synthetic resins, white spirit
• No influence on the drying time of the paint film
• Brush stroke runs
• Increases the gloss
• Does not yellow
• Increases the durability and elasticity of the paint film
• Can be thinned with white spirit or turpentine
• Flammable
Available in 75 ml and 250 ml.
Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter
Composition: Vegetable oils, synthetic resins, white spirit, siccatives
• Increases the durability and elasticity of the paint film
• Makes the brush stroke run, depending on the amount added
• Increases gloss
• Does not yellow
• Can be thinned with white spirit or turpentine
• Flammable
Available in 250 ml
Preventing the wrinkling of thick paint layers, increasing the amount of paint, decreasing the tinting strength and increasing the transparency of oil colour while retaining the viscosity. Composition: Vegetable oils, synthetic resins, thickening mediums, white spirit • Increases the durability of the paint film • Slightly reduces the gloss of oil colour • Reduces the drying time of the paint film • Does not yellow • Can be thinned with white spirit or turpentine • Flammable
price 632 baht .2438 selectBox2438
Composition bottle: Synthetic resin, turpentine oil, white spirit
Composition spray can: Synthetic resin, white spirit
• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• Dries in a few hours
• Does not yellow
• Gives a high gloss
• The gloss can be decreased by mixing with Picture varnish matt 003
• Can be thinned with white spirit or turpentine
• Clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with white spirit or turpentine
• Flammable (in spray can: extremely flammable)
Available in 250 ml
Purpose: For the artist to make his own paint and painting medium
Composition: Poppy oil
• Virtually non-yellowing, making it ideal for light colours
• Smaller risk of wrinkling than with linseed oil
• Dries more slowly than linseed oil
• Gives a less durable paint film than linseed oil
• Only use in the final coat
• Can be thinned with white spirit or turpentine
Available in 75 ml.
Purpose: Reviving sunken-in (matt) areas and providing temporary protection (temporary final varnish) of oil paintings not entirely dry
Composition: Synthetic resin, white spirit
• Apply sparingly
• Does not affect the further drying time of the paint film
• As temporary protective varnish do not apply until after 2-3 months
• Dries in a few hours
• Does not yellow
• Can be thinned with white spirit
• Clean brushes with white spirit
• Highly flammable (in spray can: extremely flammable)
Available in 75 ml, 250 ml, 1000 ml bottle and in 400 ml spray can.
Purpose: Reducing the drying time of oil colours
Composition: Metal compounds, white spirit
• Reduces the elasticity and durability of the paint film; therefore use very sparingly (add maximum 2%)
• Can be thinned with white spirit
• Flammable
Available in 75 ml.
Purpose: For the artist to make his own (glazing) medium and as an ingredient for a paint formula
Composition: Linseed stand oil
• Greatly increases the gloss and the drying time
• Slightly yellowing (between poppy seed and linseed oil)
• Can be thinned with white spirit or turpentine
• Traditional glazing medium
• Not to be used in lower coats when mixed with paint
Available in 75 ml.
Purpose: Durable protection of an oil painting or acrylic painting (final varnish). Composition: Acrylic resin, white spirit, turpentine oil
• Apply when paint film has completely dried (with normal layer thickness for oil colour after approx. 1 year, for acrylic paint after 4 to 5 days)
• Dries in a few hours
• Does not yellow
• More flexible than Picture varnish gloss 002
• Gives less gloss than Picture varnish gloss 002
• Mixing with Acrylic varnish matt 115 reduces the degree of gloss
• Dry varnish coats can be removed with white spirit or turpentine
• Can be thinned with white spirit or turpentine, clean brushes with white spirit or turpentine
• Flammable (in spray can: extremely flammable)
Purpose: For the artist to make his own paint and painting medium
Composition: Linseed oil
• Increases the gloss and the drying time of the paint film
• Increases the risk of the paint film wrinkling
• Shows strong yellowing in dark conditions, which largely disappears in daylight
• Can be thinned with white spirit or turpentine
Available in 250 ml
Purpose: For the artist to make his own paint and painting medium
Composition: Linseed oil
• Increases the gloss and the drying time of the paint film
• Increases the risk of the paint film wrinkling
• Shows strong yellowing in dark conditions, which largely disappears in daylight
• Can be thinned with white spirit or turpentine
Available in 75 ml
Purpose: Increasing the flow and/or transparency of oil colour, shortening the drying time and making the paint fatter
Composition: Vegetable oils, synthetic resins, white spirit, siccatives
• Increases the durability and elasticity of the paint film
• Makes the brush stroke run, depending on the amount added
• Increases gloss
• Does not yellow
• Can be thinned with white spirit or turpentine
• Flammable
Available in 75 ml,
Purpose: Durable protection of an oil painting (final varnish)
Composition bottle: Synthetic resin, turpentine oil, waxes
Composition spray can: Synthetic resin, white spirit, silica
• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• When applying with a brush do so in one layer and in one direction
• Dries in a few hours
• Does not yellow
• Varnish in bottle gives a satin gloss, varnish in spray can is matter
• The degree of gloss is increased when mixed with Picture varnish gloss 002
• Can be thinned with turpentine
• Clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with white spirit or turpentine
• If the contents become cloudy place bottle in warm water
• Flammable (in spray can: extremely flammable)
Available in 75 ml, 250 ml and 1000 ml bottle and In 400 ml spray can.
Purpose: Durable protection of an oil painting (final varnish)
Composition bottle: Synthetic resin, turpentine oil, white spirit
Composition spray can: Synthetic resin, white spirit
• Apply when paint film has completely dried (approx. 1 year with normal layer thickness)
• Dries in a few hours
• Does not yellow
• Gives a high gloss
• The gloss can be decreased by mixing with Picture varnish matt 003
• Can be thinned with white spirit or turpentine
• Clean brushes with white spirit or turpentine
• Dry varnish coats can be removed with white spirit or turpentine
• Flammable (in spray can: extremely flammable)
Available in 75 ml, 250 ml and 1000 ml bottle and In 400 ml spray can.
Purpose: Thinning oil colour and cleaning brushes and other artistsmaterials
Composition: Mineral oil distillate with the minimum possible content of harmful constituents
Characteristics:
• Odourless
• Drying time somewhat longer than Talens white spirit (090)
• Ver y pure, 100% evaporation; disappears completely from the paint film
• Makes oil paint leaner (use in lower coats)
• Not suitable for removing dry varnish coats
Available in 250 ml.
Composition: Portuguese gum turpentine (distillate from resinous balsam of the pine tree)
• Makes oil paint leaner (use in lower layers)
• Allows brush stroke to run
• Suitable for removing (dry) varnish coats
• Suitable for dissolving (natural) resins
• Also for thinning mediums and varnishes for oil colour
• Flammable
Available in 250 ml
Purpose: Thinning oil colour and cleaning brushes and other art materials
Composition: Portuguese gum turpentine (distillate from resinous balsam of the pine tree)
• Makes oil paint leaner (use in lower layers)
• Allows brush stroke to run
• Suitable for removing (dry) varnish coats
• Suitable for dissolving (natural) resins
• Also for thinning mediums and varnishes for oil colour
• Flammable
Available in 75 ml
Purpose: Thinning oil colour and cleaning brushes and other artists' materials
Composition: Mineral oil distillate
• Very pure, 100% evaporation; disappears completely from the paint film
• Makes oil paint leaner (use in lower layers)
• Suitable for removing (dr y) varnish coats
• Suitable for dissolving synthetic resins
• Also for thinning mediums and varnishes for oil colour
• Flammable
Available in 250 ml
Purpose: Thinning oil colour and cleaning brushes and other artists' materials
Composition: Mineral oil distillate
• Very pure, 100% evaporation; disappears completely from the paint film
• Makes oil paint leaner (use in lower layers)
• Suitable for removing (dr y) varnish coats
• Suitable for dissolving synthetic resins
• Also for thinning mediums and varnishes for oil colour
• Flammable
Available in 75 ml
paintings not entirely dry
Composition: Synthetic resin, white spirit
• Apply sparingly
• Does not affect the further drying time of the paint film
• As temporary protective varnish do not apply until after 2-3 months
• Dries in a few hours
• Does not yellow
• Can be thinned with white spirit
• Clean brushes with white spirit
• Highly flammable (in spray can: extremely flammable)
Available in 75 ml, 250 ml, 1000 ml bottle and in 400 ml spray can.
Composition: Acrylic resin dispersion, titanium dioxide
• Provides good adhesion for oil colours, acr ylic colours, gouache, etc.
• Suitable for absorbent grounds that are free of dust and grease, such as artistsf canvas, wood, plywood, hardboard, cardboard and paper
• Suitable as preparation for murals on (alkaline) grounds such as fresh concrete, stucco and bricks
• Very absorbent grounds must first be treated with Amsterdam Acrylic binder
• Can be coloured with acr ylic colour
• Thinnable with water
• Dries within a few hours, after 24 hour it can be painted over with oil colour
• Apply at temperatures above 10‹C, do not freeze
• Clean utensils with water
Available in buckets of 1 litre.
painting
Composition: Dispersion of natural rubber in water
• Prevents adhesion of water colour to areas of the painting that are treated with Liquid masking film
• Dries in 10 minutes
• Once dry remove with the fingertips or an eraser within a few days
• Becomes more difficult to remove after some time
• Can cause discolouration on cellulosic paper
• Can also be used for water-based inks
Available in 75 ml.
Purpose: Protecting works carried out in, for example, gouache, water colour and inks
Composition: Colourless, non-yellowing acrylic resin, dissolved in, amongst others, white spirit
• Short drying time
• Layer thickness determines the degree of gloss (a thick layer gives a higher gloss)
• Makes matt paint layers more transparent and colours deeper
• Does not yellow
• Water resistant when dry, making the painting less susceptible to moisture
• Store in a cool and dry place
• Extremely flammable
Available in 150 ml spray can.
Purpose: Protecting works carried out in, for example, gouache, water colour and inks
Composition: Colourless, non-yellowing acrylic resin, dissolved in, amongst others, white spirit
• Short drying time
• Layer thickness determines the degree of gloss (a thick layer gives a higher gloss)
• Makes matt paint layers more transparent and colours deeper
• Does not yellow
• Water resistant when dry, making the painting less susceptible to moisture
• Store in a cool and dry place
• Extremely flammable
Available in 400 ml spray can.
Purpose: Improving the adhesion of particles of pastels, charcoal, chalk and graphite to the surface<br />
Composition: Colourless resins, ethanol
• In combination with pastel use preferably in every layer
• Use sparingly
• Quick-drying
• Non-yellowing
• More concentrated than Fixative for pastel 061
• Retouches the so-called ‘blooming’ (white veil formation) in colour pencil drawings
• Extremely flammable
Available in 150 ml
Purpose: Improving the adhesion of particles of pastels, charcoal, chalk and graphite to the surface
Composition: Colourless resins, ethanol
• In combination with pastel use preferably in every layer
• Use sparingly
• Quick-drying
• Non-yellowing
• More concentrated than Fixative for pastel 061
• Retouches the so-called ‘blooming’ (white veil formation) in colour pencil drawings
• Extremely flammable
Available in 400 ml
Available in 5 sizesSeries: 360 - 1"
Technique: oil, acrylic, gouache
Hair: hog bristle
Form: flat, so-called spalter
Ferrule: tin
Handle: short, plain wood, unlacquered, length: 145 - 190 mm
Characteristics: * for painting, priming and varnishing large surfaces
• Grey kneadable eraser for absorbing removing pastel, graphite and charcoal particles
• Can be used many times until the eraser is completely saturated
• The erasers are wrapped in cellophane
DVD for learning how to paint 3 styles of watercolour painting by Artist Banlu Wiriyapornprapas (Still life drawing of fruits, lotuses and roses) accompanied by 80g. sketchbook
price 250 baht .163 selectBox163